![]() ![]() Ben goes to his nephew's family (and a teen's bunk bed) while George crashes on the couch of a younger gay cop's boisterous party pad. 'Are you guys getting divorced already,' jokes the assembled clan when they break the news and ask for temporary shelter. But the outside ramifications are harsh: George's Catholic academy is forced to fire him and, only weeks after celebrating, the couple find themselves cash poor, unable to maintain a mortgage and out of their elegant apartment. The afterparty that follows – both men at the piano laughing, lasagna and heartfelt toasts being served – steers the movie economically onto accepting territory. Instead, 'Love Is Strange' emerges as a total triumph for Sachs and his co-leads, John Lithgow and Alfred Molina, who turn in career-topping work.Ĭhatty painter Ben (Lithgow) and his music-teacher partner of nearly four decades, George (Molina), tie the knot in an idyllic, understated ceremony. His latest movie also features a Chopin piano score, adding an exquisite sense of proportion to what, in the hands of most other directors, might have felt like a cautionary tale about the perils of gay marriage. New York-based filmmaker Ira Sachs ('Keep the Lights On') creates a special kind of urbanity: softer and more inclusive than Woody Allen's, openly gay but family-focused, alive to the city's tensions and lulls.
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